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Salvatore T. Di Muccio
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Epson launches new Minilab for photographers, photo print providers
and photo merchandise manufacturers
SureLab D1060 offers fast, high-quality photo printing with flexible production
and a reduced total cost of ownership
SYDNEY, 15 July 2021 – As demand for small-format photos continues to grow, businesses are looking for a cost-effective way to deliver quality prints quickly and cost effectively. To meet that need, Epson has launched the SureLab® D1060. This new DryLab printer has been built to address a range of customers from wedding and event photography, to retail in-store ad-hoc printing, to back-office print houses.
It offers a more compact footprint with reduced noise, lower heat output, as well as a range of new features to suit retail and in-house photo production. It also has a faster print speed and a super-fast one-off print mode for event applications.
A new ink system is combined with more flexible networking and an extended print life for those involved with on-demand and back-office print production. Complementing all of this is a new duplex unit that enables automatic
double-sided borderless printing for photobook and photo merchandise production
“High-quality, small-format photo printing is more popular than ever. Whether you have a high-end digital camera or the latest smartphone with megapixel imaging capability, there is nothing visceral quite like a tangible printed photo of a treasured moment. People want to put photos in their family albums, on the desk and up on the wall. Moments in time are fleeting and special. There is nothing like having a memento there in front of you as a reminder of what’s truly important,” said Gordon Kerr, Business Marketing Manager, Large Format, Epson Australia, “Epson has always produced great photo printers. The SureLab D1060 is a leap forward in terms of flexibility, productivity and durability. Never before has it been easier or more cost-effective to produce quality photo prints.”
The new SureLab D1060 delivers print speeds of up to 460 6”x4” photos per hour.1 It is up to 10 percent faster than the previous generation, and the new 15 second one-off print mode is set to be a boon for photo studios and event work.2
Leveraging an enhanced 6-channel MicroPiezo® printhead and vivid UltraChrome® D6r-S dye-based ink technology, the printer can accurately reproduce subtle tones in portrait photos with smooth transitions and crisp, sharp details. When coupled with compatible Epson genuine photo media, prints are water, smudge and fade resistant.3
For improved productivity, the SureLab D1060 features a high-capacity ink system that uses 250ml bags that are cost-effective to purchase, compact to store, and crushable for reduced waste.
For single-sided printing, the machine uses large 65m roll-based media that is available in widths from 3.5”-210mm (A4) in a range of media weights and finishes.
The optional duplex tray uses double-sided sheet media, that is available in sizes from A5, up to 210x210mm. Operation is made simple and flexible care of an integrated control panel and bundled Epson OrderController Lite software.4 Flexible USB, Ethernet and Wi-Fi interfacing makes connectivity easier while the reduced footprint and heat output makes the machine perfect for kiosk-based operations.5
One of the key design features of the SL-D1060 is its reduced Total Cost of Ownership. Not only has it been designed to offer worry-free operation with minimum maintenance, but it features double the print life of its predecessor.1 It comes with a comprehensive ‘heads-and-all’ on-site warranty that can be extended with CoverPlus for up to five years.
In Australia the printer will be offered in two configurations: base unit only, or base unit plus duplex. The duplex unit will also be available as an option for those who wish to purchase it later.
Additional features include:
Pricing and Availability
The SureLab D1060 is expected to be available from November 2021 in Australia. A base printer with 5 year CoverPlus is expected to cost $6,995 (RRP
ex GST), while the version with the duplex unit is expected to cost $7,995 (RRP ex GST). The duplex unit will also be available separately for $995 ex GST.
1 When compared to the Epson SureLab D860
2 Product specifications are subject to change without notice. Customers are recommended to view the relevant Epson product page for latest details. Total throughput time for any print depends on various factors including workstation configuration, file size, print resolution, ink coverage and networking. Actual print speeds will vary.
3 Epson does not provide any guarantee or warranty on print durability
4 This printer ships with the ‘Lite’ version of Order Controller. The full version can be ordered separately at additional expense.
5 This printer is designed for use with nominated Epson genuine ink and media consumables only. Use of alternatives is likely to result in print quality and reliability issues that invalidate warranty and CoverPlus.
Picture credits
Epson’s new SureLab D1060
well, the first thing that would have to be fixed is the clip for the pop filter it needs to be removable. the sound quality is very good but it needs light to tell if it’s on or not.
the cable needs to be at least 10 ft and needs to be removable because if the cable breaks the mic is done for.
well first off the microphone stand works great with my AT2020 XLR. plus it is way better than my old one it would bang if you tried to move it in front of you. but this one much more sturdy than old with the mini clamp but with this one, the octagon holder works so much better and it has a headphone holder and a cable holder plus it does not come with an xlr cable
Nick Matthews ACS Wins Milli Award for Australian Cinematographer of the Year at 2020 FUJINON FUJIFILM ACS National Awards
SYDNEY, 21 May 2020 – This year’s FUJINON FUJIFILM Australian Cinematographers Society (ACS) National Awards was different. It wasn’t so much physically held but instead Zoomed as so many events have been this year. That said, many things remained the same with Ray Martin AM the host and MC and ACS National President Ron Johanson OAM ACS as always very much on hand to help things along. When all was said and done Nick Matthews ACS won the Milli and was named Australian cinematographer of the year for his work on Hotel Mumbai. He also collected the Gold Tripod for features budgeted above $2 million.
Nick Matthews ACS
ACS National President Ron Johanson OAM ACS said, “The National Awards is the pinnacle for the ACS members, and there is nothing better than the reward you receive by being recognised by your peers, it is without doubt, the best pat on the back you can receive. Heartiest congratulations to Nick Matthews and all the nominees and the recipients. As always our deepest thanks go to FUJINON FUJIFILM and all our ACS sponsors without whom the society wouldn’t be able to carry out the work it does.”
Ray Martin AM
Other winners on the night included Caleb Ware ACS who collected the documentaries award for By the River, Zoe White ACS won the drama series or telefeatures prize for The Handmaid’s Tale and Katie Milwright ACS who won the dramatised documentaries award for Guilty. In the features budgeted below $2 million category Joshua Flavell ACS received the Gold Tripod for Pimped and Chris Bland ACS got the award of distinction for Locusts.
ACS National President Ron Johanson OAM ACS
Industry legends Dion Beebe ACS, Roger Lanser ACS and John Wheeler ACS were inducted into the Hall of Fame and Robb Shaw-Velzen ACS won the Ron Windon Award.
Robb Shaw-Velzen ACS
To view the full Zoomed 2020 FUJINON FUJIFILM ACS National Awards go to: https://vimeo.com/418288835
ACS National President Ron Johanson OAM ACS concluded, “It is such a great thing for me to witness the ACS Awards at every level and see the looks on the faces of the various recipients. So rewarding, especially for me as the President of this august Society. We all look forward to the coming year and to holding next year’s awards in person again.”
The full list of winners at the 2020 FUJINON FUJIFILM Australian Cinematographers Society (ACS) National Awards are:
CineKids
Gold certificate: David Szasz – Ship Out
Student Cinematography
Gold certificate: Michael Filocamo ACS – A Bird With No Legs
John Bowring ACS TV Station Breaks & Promos
Gold Tripod: Tony Luu ACS – The Voice promo
Music Videos
Gold Tripod: Kieran Fowler ACS – Guy Sebastian ‘Choir’
Syd Wood ACS Local & National News
Gold Tripod: Arron Hage ACS – Snowy Mountains fly fishing (Seven Network News)
Neil Davis International News
Gold Tripod: Joel Lawrence ACS – The Battle for Hong Kong
Current Affairs
Gold Tripod: Tom Bannigan ACS – Foreign Correspondent, The Oasis (ABC)
Entertainment & TV Magazine
Gold Tripod: Chris Lewis ACS – Burringurrah
Corporate & Educational
Gold Tripod: Lincoln Williams ACS – Evolve Skateboards
Documentaries
Gold Tripod: Caleb Ware ACS – By the River
Ron Taylor AM ACS Wildlife & Nature
Gold Tripod: Edward Salter ACS and Daniel Hunter ACS – Hostile Planet (Jungles: Bats vs Crocs)
Commercials – Local & Regional
Gold Tripod: Campbell Brown ACS – Running Bare
Commercials – National/International
Gold Tripod: Tim Tregoning ACS – Rural Fire Services – Have a Plan
Dramatised Documentaries
Gold Tripod: Katie Milwright ACS – Guilty
Short Films
Gold Tripod: Carl Robertson ACS – Ascendant
Serial TV & Comedy Series
AD: Judd Overton ACS – No Activity series 2 episode 8
Drama Series & Telefeatures
Gold Tripod: Zoe White ACS – The Handmaid’s Tale series 3, episode 11 – Liars
Feature films budgeted below $2 million
Gold Tripod: Joshua Flavell ACS – Pimped
Feature films budgeted above $2 million
Gold Tripod: Nick Matthews ACS – Hotel Mumbai
Ron Windon Award
Robb Shaw-Velzen ACS
Hall of Fame
Dion Beebe ACS, ASC
Roger Lanser ACS
John Wheeler ACS
Milli Award
Nick Matthews ACS – Hotel Mumbai
Picture credits:
Nick Matthews ACS
Ray Martin AM
ACS National President Ron Johanson OAM ACS
Robb Shaw-Velzen ACS